Khai thác di sản Hát Văn trong phát triển Du lịch ở Bắc Giang

Heritage in general and intangible heritage in particular are valuable tourism resources. Currently, the type of tourism that learns the cultural characteristics of the nation is being enjoyed by many tourists, especially international tourists. This confirms the role, attraction and attraction of the heritage to the development of tourism.

          In fact, world heritage sites are always highly appreciated and oriented to exploit in order to create attractive tourism products. In Vietnam, the heritage of Ha Long Bay is identified as the main tourism space of the tourist center of Hai Phong - Quang Ninh; or the heritage in Hue, Hoi An ancient town, My Son sanctuary is the main tourist space in the North Central region associated with the East - West corridor. Intangible cultural heritages such as: Central Highlands Gongs, Ca Tru, Quan Ho, Giong festivals, Hung King's death anniversary ... are also unique cultural heritages that are attractive to tourists. domestically and internationally. In the Vietnam tourism development strategy to 2010 and vision to 2020, all heritage areas are in the national tourist areas.

Bac Giang is one of the provinces assessed to have quite a lot of heritages, including the world heritage of Quan ho folk songs, Ca trù, and woodblocks at Vĩnh Nghiêm pagoda. In addition, there are more than 500 national monuments and out of 33 national intangible heritages announced at the end of 2012, Bac Giang has 6 heritage sites including: Quan ho folk songs, Ca trù songs, and San folk songs. Chi, Cao Lan folk songs, Yen The festival, Tho Ha festival. In this publication of national intangible heritages, the Chầu Văn Ritual of Vietnamese was also recognized as intangible heritage in Ha Nam and Nam Dinh provinces. Song Chầu Văn is not only confined to these two localities, in Bắc Giang, Chầu Văn is also a unique cultural activity and takes place quite popular in temples, palaces and electricity as in Suối Mo temple. , Nguyet Ho Temple ... Before, Literary singing is a form of ritual cultural activity mainly serving the Tu Phu (Dao Mau) religion and the worship of Duc Tran (Tran Hung Dao) - folk beliefs have a special role. Particularly important in the life of the Vietnamese people. The singing of Van consists of singing, worshiping, singing at the temple gates and singing ball. Chầu Văn singing uses spiritual music with elaborate and solemn words to show the singer's respect for the holy saints ... Literature is necessarily associated with the performance space which is the temple gate. , government gates or shrines. Literature is most popular during the festive season, ie the first days of spring. At that time, in the spring festivals or scattered on the full moon days, the first day in the temple, the government often takes place two types of singing: worshiping and singing ball. Church singing is mainly served to the cross, those who sing (called the palace) sitting at the temple door will play the appropriate songs for each saint in the church or sing at the request of the guests. Also, singing in the shadow of the maid serves the ritual of serving the servants, the process of entering the souls of the saints into the bodies of Mr. and Mrs. Cot. The words of the literary songs often recount the background, the legend of the saints falling and often tell about the origin, honoring the merit and miracles of the saints. The melody of the singing is smooth, attractive, when it is overwhelmingly cheerful and special, the poetic quality in the lyrics of the literary songs is enhanced in the spiritual space of respect, whistling with the accompanying orchestra. pushes and sacred dances of the saints manifested through the servants ... Today with these unique qualities,  

Hat Văn in Bắc Giang coexists with the folk beliefs to worship Mother and Đức Thanh Trần. With hundreds of temple relics scattered throughout the province, along with many private shrines, are living spaces of the arts of Van singing, especially worshiping, singing in the shadow…. At the beginning of spring, the incense sticks, disciples in the province as well as from nearby localities flock to the temples in Bac Giang to organize chant singing and worshiping. Among the places that usually take place the ball ceremony must include Suoi Mo temple in Nghia Phuong commune, Luc Nam district and Mrs. Nguyet Ho temple in Huong Vi commune, Yen The district. In the rituals of Mau worship at Nguyet Ho temple and the temple system at Suoi Mo (Princess Que My Nuong, also known as the Princess Thuong Ngan), the form of the shadow maid is considered a cultural characteristic that is impossible. lack, especially in the early spring days and festivals. At the beginning of the year, there were many tourists from the provinces of Hai Phong, Hai Duong, Quang Ninh, Lang Son, Hanoi ... to Suoi Mo Temple and Lady Nguyet Ho Temple to worship Mother and offer literature. According to the legend, the Temple of Nguyet Ho Temple is one of the ancient relics associated with thousands of years of history and culture of Bac Giang's homeland. The temple is located in a land of many monuments upstream of the Thuong river. Along this river, there are many vestiges of Mau worship but are more interested and famous is Nguyet Ho temple, Huong Vi commune, Yen The district. In recent years, Nguyet Ho Temple is a spiritual and religious highlight of the people and tourists everywhere. Every year, thousands of visitors from all provinces and cities in the country make a pilgrimage to Ba Chua Nguyet Ho temple to ask for fortune, pray for peace, pray for peace in life. And at Suoi Mo - the system of Ha temple, Trung temple and Thuong temple all worship Princess Que Mi Nuong, the 10th daughter of King Hung Dinh Vuong. Legend has it that she was the one who helped exploit Vuc Mo to bring water to the people in the reclaimed area, cultivate and build villages, she has merit to teach people to make wet rice, and weave silk thread ... to bring prosperity to the people. Ban ... When she was revered as a deity, the Almighty Holy Mother defended the villagers, looked after the mountains and had many relationships with the ethnic minorities ... In Bac Giang, Nguyet Ho Temple and Temple Suoi Mo has Hat Van almost holy, Hat Van shows its own unique culture at these two locations. Particularly Suoi Mo temple every year on the occasion of the festival also organizes a contest of Hat Van. This is a very special cultural feature of Suoi Mo festival affirming its value,

It can be affirmed in Suoi Mo with charming scenery of waterfalls all year round to release white foam, mingling in with the pristine mountains and nature with the Mau temple system which is the singing and singing melodies of Van. making it an attractive destination for cultural, spiritual and ecological tourism. In the tourism development plan to 2010 and the orientation to 2020 and the overall conservation plan of the system of monuments and landscapes of West Yen Tu in Bac Giang province, all confirmed Suoi Mo is a potential tourist destination. development. At the same time, this is a key tourist destination included in the plan, has been built and exploited in the current period as well as the long-term development direction of Bac Giang province in general and of Luc Nam district in particular. . Accordingly, Suoi Mo will be invested in the direction of conservation, embellishing cultural and historical values, protecting environmental resources to exploit and develop eco-tourism in association with spiritual cultural tourism. Thus, in addition to embellishing the tangible values ​​of Suoi Mo relics and landscapes, the issue of preserving intangible cultural values ​​at this tourist site should also be considered. The intangible heritage here can be referred to as the Goddess of Mercy culture associated with the Suoi Mo festival held annually and especially the art of performing balloons at the temple and poem system. in Suoi Mo festival.

Preserving and exploiting the unique culture in Suoi Mo for the development of tourism, while avoiding the excessive use of the form of singing for superstitious purposes, I think we should practice show some of the following solutions:

- Facing the fading risk of traditional singing as the artisan class is now sparse, the young generation learns to sing mainly to serve the need for an urgent practice in the form of a kibble. On the other hand, the traditional music life has been broken, the audience of this type of art is narrowed down, so there is a need for a policy for singing artists. There are training and vocational activities for young people nearby to sing and not fade away. Encourage the incorporation of singing and singing repertoires in art shows, cultural and cultural exchange programs for tourists ...;

- Continue to maintain and expand and improve the quality of the Song Van Contest on Suoi Mo festival and take it as one of the highlights to attract tourists to Bac Giang. To do this, it is necessary to strengthen the propaganda about the contest and at the same time encourage and encourage to attract the letters in the provinces in the province to participate in the contest;

- The Management Board of Suoi Mo relic should be strengthened and supplemented with functions and duties to coordinate well with the Temple house to well manage religious activities including managing the singing and singing activities at Suoi Mo and at the same time. there may be measures in place to manage the use of appropriate texts that both serve religious activities and serve cross-tourists;

- To build Hat Van to become one of the important points to form tourist products in Suoi Mo. (For example, to maintain the form of church singing, organize singing and arches to serve cross-border tourists when making pilgrimages to Suoi Mo. Building a Suoi Mo tour with a singing program or when tourists have a need. there will be a service team).

If preserved, managed and exploited well Hat Van in tourism development, Bac Giang tourism industry promises to attract a large number of tourists to the locality.